July 13, 2013

directed by Matías Piñeiro, 2012


Viola runs only 65 minutes long, featuring hymns of candid expression and dancing revelation; its tactful sneakiness and willingness to reverberate is found in its fable-like moral glare. Almost defiantly free of some clear definable form, the unfurling of feeling and emotion within Viola is tied to Piñeiro’s probing of the “life as a grand stage” model. While the first 10-15 minutes of Viola can come across as quite trying, the quotidian shifting of this world is uncanny, producing an endless aroma of repetition and grace. The film is largely a riff on Shakespeare’s Twelfth Night, centering on a troupe of young female actors and their seemingly endless musings on romance and love. Comprised of a mix of 7 plays, the text of Twelfth Night and the drama of Viola eventually shift backstage as the narrative leaves us floating alongside these beautiful actresses and their wide collection of insights and revelations.

Read full review at Movie Mezzanine


One comment

  1. […] first time viewings 1. Drug War (To, ’13) 2. House of Tolerance (Bonello, ’11) 3. Viola (Piñeiro, ’12) 4. Sexy Beast (Glazer, ’00) 5. Twixt (Coppola, ’12) 6. The Conjuring (Wan, ’13) […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: